Stunned by winter's tympani
and how near as tapped mallets
the hail seems against glass,
there was plenty of time to hit
the buzzing oven alarm
on the trip down stairs,
picking up empty pop cans with
the pitched canvas kicks,
so I took a crossword guess,
made a phone call to mother
before attempting last week's dish sink
or water and a walk for the dog.
Easel lazes on spotted muslin
until the house chores ebb and let
sea foam swirl around my ankles,
yolk-yellow light my eyes.
Wednesday, February 29, 2012
Saturday, February 25, 2012
Thank You, Maria Colvin
In a crater
in an apartment in Homs,
there is a satchel
of ripstop nylon
that will not melt
even at mortar temperatures,
covered now in pulverized stone -
a kit of necessity smuggled
to families become infernal
under a sin of shells arcing darkly
into hollow kitchens and gardens,
through air sick with your
last breath and the scorched flesh
from scores of Syrians.
Save a journal,
what does a witness pack
that's not already abandoned
at the end of the world?
You've brought back all we can take:
a boy lies in his shattered street,
belly rising and falling until he dies.
Wednesday, February 15, 2012
nothing tastes like spaceman
We eat what aliens we might
sieve from our dark supposes.
They bring a tang of disbelief
to the back of the throat
when culled from those rickety
aluminum pie plate ships
flickering like fifties films
shot in the New Mexico skies,
peppered with far yellow stars.
sieve from our dark supposes.
They bring a tang of disbelief
to the back of the throat
when culled from those rickety
aluminum pie plate ships
flickering like fifties films
shot in the New Mexico skies,
peppered with far yellow stars.
Monday, February 13, 2012
Choosing Uselessness
The casement is all angles of maple:
sill, sash, top and bottom rails,
stile, stool and apron - solid wood.
Beside the window, branches
pound against the tide of the wind.
The moon cracks
the west crest of the canal,
plops down the poplar row
and rolls into the road.
Overhanging green swells closer
as heat and tree frogs screech
in the bell of the dark.
Stone in hand and wind-twisted,
I'm playing hopscotch
on the street chalk squares.
sill, sash, top and bottom rails,
stile, stool and apron - solid wood.
Beside the window, branches
pound against the tide of the wind.
The moon cracks
the west crest of the canal,
plops down the poplar row
and rolls into the road.
Overhanging green swells closer
as heat and tree frogs screech
in the bell of the dark.
Stone in hand and wind-twisted,
I'm playing hopscotch
on the street chalk squares.
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